| Selected Articles and Reviews |
|
| 2008 | David Pagel, "Take Pleasure in Monochrome," Los Angeles Times, April 11 |
| 2005 | Cindy Kolodziejski, "Art Pick of the Week," LA Weekly, March 18-24 |
| 2004 | Christopher Knight, "The Many Colors of White, Explored," Los Angeles Times, March 19 |
| 2002 | Christopher Knight, "Hendler Paintings Mesmerized with Intense Hues," Los Angeles Times, June 14 Hunter Drohojowska-Philip, "So Simple, Yet So Difficult to Arrive At," Los Angeles Times, May 19 |
| 2001 | Colin Berry, "Conceptual Color in Albers' Afterimage at SFSU," Artweek, November |
| 2000 | David Pagel, "For Hendler, It's a Bright, Bright World," Los Angeles Times, May 5 |
| 1998 | Dave Hickey, "The Best of 1998," ArtForum, December Lisa Liebmann, "The Best of 1998," ArtForum, December Jody Zellen, "Maxwell Hendler at Patricia Faure," d'Art International, Fall David Pagel, "Hendler Evokes Simple Yet Complex Joys," Los Angeles Times, June 5 __________, "Style Over Substance in 'Beyond the Idea'," Los Angeles Times, October 12 Robert Pincus, "Exhibition blurs lines between art and kitsch," San Diego Union, July 5 |
| 1995 | David Pagel, "Maxwell Hendler, Master of the Colorful," Los Angeles Times, May 4 Graham Shearing, "Plane/Structures Requires Altered Behavior," Pittsburgh Review, Feb 10 |
| 1994 | Jan Tumlir, "Like Gazing Into a Deep Pool at Night, 'Plane/Structures' at Otis College of Art and Design, Artweek, Oct 6 |
| 1993 | David Pagel, "Images Play with Light, Sight at Asher/Faure," Los Angeles Times, March 4 Peter Frank, "Starting with McLaughlin, Hendler, Kraal, Thurston," Art Picks of the Week, LA Weekly, May 1-7 David A. Greene, "Maxwell Hendler," Art Issues, May/June |
| 1993 | Michael Anderson, "Maxwell Hendler at Asher/Faure," Art in America, October William Wilson, "Looking in on Diversity in Three Acts," Los Angeles Times, May 22 |
| 1990 | John Fitz Gibbon, "X is for MaXwell Hendler," The Butler Institute of American Art, June - August |
| 1989 | Marlene Donahue, The Galleries, Los Angeles Times, July 21 |
| 1987 | "Art 9/87, Maxwell Hendler," California Magazine, September Colin Gardner, "Los Angeles, Maxwell Hendler," ArtForum, October Cathy Curtis "The Art Galleries," Los Angeles Times, Sept 4 |
| 1985 | Joan Hugo, "Words as Images (ABC NO GAGA)," Artweek, August Kristine McKenna, "Art Reviews," Los Angeles Times, August 9 Merle Shipper, "Maxwell Hendler at Asher/Faure," ArtNews, October Suzanne Muchnic, "Landscape: The Bus Stops Here," Los Angeles Times, January 26 Colin Gardner, "Reviews," ArtForum, December |
| 1975 | Barbara Thomsen, "Maxwell Hendler at the Metropolitan Museum," Art in America, Nov/Dec |
| 1971 | "11 L.A. Artists to Open in London," Los Angeles Times, Sunday, September 5 |
| 1965 | William Wilson, "Hendler's Form One of Clarity," Los Angeles Times, December 3 E.K., "Maxwell Hendler, Ceeje Gallery," ArtForum, November |
| Group Exhibition Catalogues: |
|
| 1970 | 22 Realists, Curated by James K. Monte, Whitney Museum of American Art, New York, NY Beyond the Actual, Contemporary California Realist Painting, Curated by Donald Brewer, Pioneer Museum and Haggin Galleries, Stockton, CA Directly Seen, Curated by Thomas Garver, Newport Harbor Art Museum, Balboa, CA American Painting 1970, Curated by Peter Selz, Virginia Museum, Richmond, VA |
| 1971 | 11 Los Angeles artists, Curated by Maurice Tuchman and Jane Livingston, Hayward Gallery, London, England |
| 1973 | Realities, Curated by Virginia Ernst Kazor, Los Angeles Municipal Art Gallery, Los Angeles, CA |
| 1976 | LA8: Painting and Sculpture 76, Curated by Maurice Tuchman, Los Angeles County Museum of Art, Los Angeles, CA Painting and Sculpture in California: The Modern Era, Curated by Henry T. Hopkins and Walter Hopps, San Francisco Museum of Modern Art, San Francisco, CA |
| 1977 | a sense of scale, Curated by George Neubert, The Oakland Museum, Oakland, CA |
| 1980 | Contemporary Naturalism, Works of the 1970s, Curated by Phyllis Stigliano and Janice Parente, Nassau County Museum of Art, Roslyn Harbor, NY |
| 1982 | The Michael and Dorothy Blankfort Collection, Curated by Maurice Tuchman and Anne Carnegie Edgerton, Los Angeles County Museum of Art, Los Angeles, CA Drawings by Painters, Curated by Richard Armstrong, Long Beach Museum of Art, Long Beach, CA |
| 1983 | West Coast Realism, Curated by Lynn Gamwell, The Laguna Beach Museum of Art, Long Beach, CA American Accents, Curated by Henry Geldzahler, Organized by the US Embassy to Canada California: Idioms of Surrealism, Curated by Marie de Alcuaz, University of Southern California, Los Angeles, CA |
| 1984 | Frederick R. Weisman Foundation Volume One, Frederick Weisman Foundation, Los Angeles, CA Ceeje Revisited, Curated by Josine Ianco-Starrels, Los Angeles Municipal Art Gallery, Los Angeles, CA Crime and Punishment, Reflections of Violence in Contemporary Art, Curated by Jo Farb Hernandez, Triton Museum of Art, Santa Clara, CA |
| 1986 | American Realism: Twentieth Century Drawings and Watercolors from the Glenn C. Janss Collection, San Francisco Museum of Modern Art, San Francisco, CA |
| 1990 | California A-Z and Return, Curated by John Fitz Gibbon, The Butler Institute of American Art, Youngstown, OH |
| 1995 | Painting Beyond the Idea, Curated by Bennett Roberts, Manny Silverman Gallery, Los Angeles, CA Murder, Curated by John Yau, Bergamot Station Arts Center, Santa Monica, CA |
| 2000 | Hendler, Huerta, Kauffman, Curated by David Pagel, Studio la Citta, Verona, Italy |
