| 2005 | Maureen Mullarkey, Gallery-Going, The New York Sun, February 3 |
| 2004 |
Peter Frank, “Hannelore Baron,” University of Art Museum, California State University and Manny Silverman Gallery, Long Beach and West Hollywood, ARTnews, November, p. 158 Leah Ollman, "Silent Sorrows," Los Angeles Times, July 13 Lauren Michele, Art Seen, NoHoLA, July 6-19, p. 21 ______, Arts, Jewish Journal, June25, p. 29 Faye Hirsch, Art in America, March, p. 133-134 |
| 2003 |
Elisa Turner, "Collages Whisper of Dark Memories," Miami Herald, June 1 Mike Sembos, “The Crappy Life of Hannelore Baron,” Fairfield County Weekly, January 16 – 22, vol. 24, issue 03, p. 22 Lyle Rexer, “In a Small and Dark Art, A World of Grief,” The New York Times, January 19, section 2, p. 38 Roberta Hershenson, “From Scraps at Home, Collage Masterpieces,” The New York Times, January19, Westchester section, p. 8 _____________, “Hannelore Baron: Collages & Box Constructions, Senior & Shopmaker Gallery,” The Art Newspaper (International Edition), Vol. IX, no. 133, February, section 2 (Whats On), p. 4 Jill Connor, “Hannelore Baron: Works from 1969-1987,” NY Arts, February, Vol. 8, No. 2, p. 80 Lyle Rexer, “Hannelore Baron: Surrounded Secrets,” Art On Paper, March, Vol. 7, No. 5, pp. 56-57 1964 Faith Jenkins, “Art Forms For All Tastes Found In Museum Show,” The Herald Statesman, April 22 |
| 2002 |
Cassie Ferrari, “Modern Mystic,” The Collegian, Accents section, February 7, p. 11 Allan M. Jalon, “The Multiple Resonance of Collage,” Los Angeles Times, July 5, section F, p. 26 John Sanford, “Layered, Emotional Work by Abstract Expressionist On View At Cantor,” The Stanford Report (Stanford University), July 10, p. 5 Talya Halkin, “Gallery-Going,” The New York Sun, November7, p. 12 |
| 2001 |
Adrian Dannatt, “A Triumvirate of Triumphant Language,” The Art Newspaper, Vol. XII, No. 114, May, p. 77 Valerie Reardon, “Hannelore Baron: Collage as a Response to Living,” exhibit:a, issue 10, June/July Gloria Russell, “UMass Art Exhibits Somber, Amusing,” Springfield Sunday Republican, October 28 |
| 1999 |
Gail Spilsbury, “Hannelore Baron, When the Soul Speaks Through Art,” Siteline (Smithsonian Institution Traveling Exhibition Service newsletter), No. 43, Winter, p. 4 |
| 1998 |
Leah Ollman, “Baron’s Work Celebrates Spirit of Survival,” Los Angeles Times, F9 R, April 20 Roberta Smith, “In the Eye of the Collector: Seeking the Innate Order of Chaos,” The New York Times, Section E, July 31, late edition-final, p. 33 Tim Griffin, “Portrait of the Artist as a Dog,” Art On Paper, vol. 3, No. 2, Nov.-Dec. |
| 1997 |
Hegedus Geza, “Ismeretlen? Ismeros?” Nepszabadsag magazin, VII Evfolyam, 12. Szam, March 22-28 Barbara A. MacAdam, “Robert Rauschenberg, Solomon R. Guggenheim Museum, Ace,” Art News, Vol. 96, No. 10, November, p. 221 |
| 1996 |
Holland Cotter, “Darts and Fusillades from the Sewing Basket”, The New York Times, section C, June 28, p. 33 ___________, The Seattle Times, July 12 ___________, “Kollagen und Schaukasten,” Dillinger Stadtrundschou, October 9/10, p. 3 ___________, “Kunstausstellung im Dillinger Schloss,” Dillinger Bote, October 10 ___________, “Barons Werke Kommen ins Alte Schloss”, Saarbrucker Zeitung, October 12/13, p. L1 ___________, “Spate ehrung fur eine bedeutende kunstlerin, Hannelore Baron im Dillinger Schloss”, Dillinger Bote, November14 Sabine Graf, “Letztlich ohne Erdenschwere,” Saarbrucker Zeitung, November 19 ___________, “Kunstwerke aus Abfallmaterial, Ausstellungerinnerf an das Schaffen von Hannelore Baron,” Dillinger Stadtrundschou, November 27/28 ___________, “Heimkehr nach dem Tod, Kulturverein Farbklangzeigt Werke der Judin Hannelore Baron in Dillingen,” Saarbrucker Zeitung, December 12 |
| 1995 |
Carl Schiffman, “New York Galleries, Late Fall ‘95”, New England Review, Vol. 17, No. 4, Fall issue, pp. 143 – 148 David Pagel, “Works by Hannelore Baron: Timeless, Untraditional”, Los Angeles Times, November 24 |
| 1994 |
Susan Kandel, “Messenger,” Los Angeles Times, section F, March 18, p. 27 Elenore Welles, “Hannelore Baron,” ArtScene, Vol.13, No. 7, March David Pagel, Los Angeles Times, March 18 Eva Forgacs, “Hannelore Baron,” Art issues, May-June, p. 41 |
| 1993 |
Michael Kimmelman, “Hannelore Baron,” The New York Times, Section C, Oct. 1, p. 23 __________, “Hannelore Baron,” The New Yorker, October11, p. 27 Hovey Brock, “Hannelore Baron, Barbara Mathes,” Art News, Vol.29, No. 9, November, pp. 161 – 162 Ken Johnson, “Hannelore Baron at Barbara Mathes,” Art in America, December |
| 1991 | __________, “Hannelore Baron,” The New York Times, April12 |
| 1990 | Fred Stern, “Boxes: A Labyrinth of Dream,” Mizue Magazine, No. 954, Spring, pp. 32-54 |
| 1989 |
Cathy Curtis, “The Galleries, Wilshire Center,” Los Angeles Times, part 6, May 26, p. 19 Michael Brenson, “Hannelore Baron’s Collages,” The New York Times, section C, June 2, p. 24 Barbara A. MacAdam, “New York, Hannelore Baron, Schlesinger, Solomon R. Guggenheim Museum,” Art News, October, p.195 __________, ArtNews, October, p. 106 |
| 1988 |
John Carlos Cantu, “Joint Exhibition Reveals Art’s Dichotomy,” The Ann Arbor News, section G, January 31, p. 3 Lauren Shapiro, “Artist Revels Private Personal Collection,” The Michigan Daily, February 5 Pamela Hammond, “Los Angeles, Hannelore Baron, Jack Rutberg,” Art News, April, p. 126 Fred Stern, “Letter from America,” Mizue Magazine, No. 949, Winter, pp. 94 – 95 Jeanette Ross, “Redeeming the Flotsam,” Artweek, 24December, pp. 3 – 4 |
| 1987 |
Jo Ann Lewis, “Baron & Solman at Brown,” The Washington Post, section C, February 7, p. 2 _____________, “Hannelore Baron, Artist, 61; Known for Symbolic Collages,” The New York Times, May 1 Marge Bulmer, “Critic’s Choice - Hannelore Baron,” Reader, November20 Michael Brenson, “Two Artists Tempered in the Crucible of War,” The New York Times,” section2, November 29, p. 37, 43 K.C., “Assemblages Out of Turmoil,” Los Angeles Herald Examiner, December 4 Marlena Donohue, “The Galleries, Wilshire Center,” Los Angeles Times, part 6, December 18, p. 22 |
| 1986 |
Nancy Grimes, “Hannelore Baron, Schlesinger-Boisante,” Art News, Vol.85, No. 2, February, p. 125. ___________, “Hannelore Baron in der Galerie Lopes,” Tages-Anzeiger, March 22 K.M., Los Angeles Times, part VI, April 4, p. 10 Betty Ann Brown, “Dark Prophecies,” Artweek, Vol.17, No. 13, April 5 Michael Anderson, “Pick of the Week,” Los Angeles Weekly, April 11-17 Michael Lawrence, The West Hollywood Paper, April 17 Elenore Lester, Jewish Week, July 25 Michael Brenson, “Bringing Fresh Approaches to Ages-Old Jewish Themes,” The New York Times, August 3, pp. 27, 32 Vivien Raynor, “Contemporary Collages,” The New York Times, Section C, p. 38, December 19 |
| 1985 |
Gerrit Henry, “Hannelore Baron, Schlesinger-Boisante”, Art News, Vol.84, No. 2, February, p. 151 Hannelore Baron, “Westchester Opinion: On the Outside, Looking For an In,” The New York Times, Section 11WC (Westchester), October 6, p. 34 Sue Taylor, “Baron Creates Poignant Collages,” Chicago Sun Times, November 6, p. 60 Vivien Raynor, “Hannelore Baron,” The New York Times, section C, December 6, p. 27 |
| 1984 |
Marlena Donahue, Los Angeles Times, March 9 Colin Gardner, “Illuminating the Human Condition, Poignant Collages by Hannelore Baron,” Artweek, Vol. 15, No. 12, March 24, p. 4 _________, Images and Issues, July/August Kay Larsen, “The Cooked and The Raw,” New York Magazine, September 24, p. 103 Judd Tully, “Selected Drawings by Eleven Artists,” Art News, Vol38, No. 10, December, p. 155 |
| 1983 |
Dorothee Muller, Seddeutsche Zeitung, March10 Jo Ann Lewis, “Hannelore Baron’s Collages,” The Washington Post, section D, April 2, p. 2 Denise Arnot, New Art Examiner, April Monika Juhlen, “In Gedenken an die Opfer,” Reutlinger Gereral Anzeiger, June 22 Viola Drath, “Arts and Artists,” The Washington Dossier, July |
| 1982 |
Harold Haydon, “Baron Memorializes Victims of War,” Chicago Sun Times, weekender, June 11, pp. 73, 77 Maria Schmitt-Rilling, “Leidensbilder und Lebensfunken, Malereivon Hannelore Baron in Saarlandmuseum Saarbruken,” Die Rheinpfalz, No.273, November 26 Leo Duppen, “De Collages van Hannelore Baron, Getuigenis Van Een Bewogen Leven,” Kunstbeeld, November 7 B.R.U., “Lebenszeichen Aux der Eimgration,” Rutlinger General Anzeiger, December 16 |
| 1981 |
__________, “Hannelore Baron at the Member’s Gallery,” Albright-Knox Art Gallery Calendar, January Anthony Bannon, “Box Exhibit Holds a Range Of Emotions,” Buffalo Evening News, section I, February 2, p. 13 Vivien Raynor, “Works by 84 Area Artists in Katonah Exhibition,” The New York Times, (Westchester section), August 30, p. 20 Palmer Porner, “No Hiatus for This Season,” Artspeak, Vol.III, No. 11, December 10 Palmer Porner, Artspeak, December 19 |
| 1980 |
Hedy O’Beil, Artspeak, February 14 1978 John Russell, “City Art Season Opens With a Tingle,” The New York Daily Metro (periodical published during a New York Times strike), September 17, p. 74 |
| 1977 | B.C., “New York Exhibitions,” Art/World, May, p. 6 |
| 1973 |
Louisa Kreisberg, “6 local artists and some gravestone rubbings,” The Herald Statesman, March 22, p. 26 |
| 1972 |
_______, “Neighborhood House Offers A Wide Variety of Classes,” The Riverdale Press, January13, p. 3 |
| 1971 |
_______, “Women Artists, Drawings on View at St. Ed’s,” Austin American-Statesman, November 7, p. 4 |
| 1969 | _______, “To Paint Is to Love Again, Perhaps?” Tempo (Kingston, NY), October 26 |
ONE PERSON EXHIBITION CATALOGS
Hannelore Baron
Sarrbrucken, Germany, Modern Galerie des Saarland-Museums, 1982
Hannelore Baron Collages
Stockholm, Galleri Zero, 1986
Hannelore Baron
New York, Gallery Schlesinger-Boisante / Chicago, Roger Ramsay Gallery / Los Angeles,
Jack Rutberg Gallery, 1987
Hannelore Baron
Tokyo, Fujii Gallery, 1989
Hannelore Baron Collages & Box Constructions
with text by Peter Frank
New York, Barbara Mathes Gallery / Los Angeles, Manny Silverman Gallery, 1995
Hannelore Baron, Collagen und Schaukästen /Kollázsok és Dobozok
with text by Eva Forgacs
Dillingen, Germany, Farbklang Kulturverein / Szekesfehervar, Hungary, Istvan Kiraly
Muzeum / Munich, ACA Galleries, 1996
Hannelore Baron: Works from 1969 to 1987
with text by Ingrid Schafner
Washington DC, SITES (Smithsonian Institution Traveling Exhibition Service), 2001
Hannelore Baron, Fragments Shored Against Ruins
with text by Fredric Koeppel
Memphis, Art Museum of the University of Memphis, 2002
GROUP EXHIBITION CATALOGUES
6 Solos, Baron, Brandt, Buonagurio, Freedman, Gregory, Most
Yonkers NY, The Hudson River Museum, 1973
Jewish Themes / Contemporary American Artists II
with text by Susan Tumarkin Goodman
New York, The Jewish Museum, 1986
Fetish Art: Obsessive Expressions
with text by Robert Middaugh
Rockford, Illinois, Rockford Art Museum, 1986
Collagen
with text by Karl Buhlmann
Zug, Kunsthaus Zug, 1986
The Poetic Object
with text by Peter Clothier, Jim Edwards
San Antonio, San Antonio Museum of Art, 1988
Fiber and Form, The Woman’s Legacy
with text by Halley K. Harrisburg
New York, Michael Rosenfeld Gallery, 1996
In Pursuit of the Invisible, Selections from the Collection of Janice & Mickey
with text by John Yau
West Stockbridge, Massachusetts, Hard Press, 1996
Deep Storage, Arsenale der Erinnerung
I. Schaffner & M. Winzen, editors
with texts by Benjamin Buchloh, Trevor Fairbrother, I. Schaffner, et al.
Munich / New York, Prestel, 1996 (German edition)
Deep Storage, Collecting, Storing, and Archiving in Art
I. Schaffner & M. Winzen, editors
with texts by Benjamin Buchloh, Trevor Fairbrother, I. Schaffner, et al.
Munich/ New York, Prestel, 1998 (English edition)
